#i've never found them that compelling together but i'm more interested in it this time around

[cpmhew]

I love all the stuff between Quentin & Alice in 1x10. I think it really seems like they're both *trying* and that's sweet to watch, even with how messy things are. I love seeing how uncomfortable Alice is at home, and the way Quentin tries to ease that discomfort by supporting her in the ways she asks for, and by making little jokes about stuff when they're in her room as a way of showing that all this stuff she's so freaked out and embarrassed about isn't Huge and Awful to him. He validates how bad things have been but he shows her that it doesn't reflect badly on her. And Alice softens and accepts that from him, which I think is really hard for her!

The sex stuff makes me cringe but on this rewatch I actually also love it. They're such a mess and I get where both of them are coming from, but I think it's very sweet how they talk it through in the end, it's not perfect but they are both willing to be vulnerable and they both show that they want to make it work. The "I love you. And so as far as I'm concerned, you know, let's do this" / "Oh. Okay. Me too. You." really got to me this time around... I don't think they're good together but I am enjoying seeing them try to make it work.

[oodlyenough]

more arcane s2 thoughts in no particular order. this is pretty negative. woops

Cait, Vi, Caitvi

despite being what initially got me watching to begin with caitvi just never ended up being my primary interest with this show, so going into s2 it wasn't like I had very well formulated expectations or hopes. I think if I had I would maybe feel disappointed? They had some nice moments, they got the kiss and the sex scene, they're clearly endgame, etc, and that's nice, but it also felt like their relationship was so ... never really the star of the show or focus of the story to the extent I expected it to be. Did they even get a big fight-together battle-couple moment in the last ep, I don't think so? I didn't find the resolution to their Act 1 breakup especially good, I think Caitlyn owed Vi an apology and Vi deserved to be angry for longer than ten seconds.

I generally feel across both seasons that Vi's pain and trauma is rarely given as much weight as other characters', I was pretty underwhelmed by Caitlyn's dictator arc after being extremely interested in it at the end of act 1...

I dunno. I hope their stans liked it and are satisfied getting to see them kiss and have sex and be together and I wouldn't downplay the significance of The Couple in Arcane being a lesbian couple. But I wasn't personally very compelled or moved by it.

Jinx

Like the above I'm not a Jinx academic by any means but I think if I were I would be frustrated by how cyclical her arc was in season 2. And no, having Silco show up to be like "it's a cycle" doesn't really justify the narrative interludes. Isha is a hard sell of a character for me because I don't ... generally want little kid characters around ... and I found Jinx (basically) looking straight into the camera to say "gee you are just like me, Powder, when I was a little kid, which reminds me of being Powder, is this how Silco felt, is this how Vi felt" to be hamfisted. But some of the scenes with the two of 'em and Sevika were cute ... only for Isha to die and Jinx to be depressed, again, and then come through the other side, again, and then "die", again. Like if we wanted to deal with depressed Jinx we started off s2 that way...

I've seen other posts by Jinx fans that articulate much better the ways in which she goes from the driving plot force in s1 and main autonomous actor to just kind of being wafted around by plot in season 2 so I won't repeat them. But I think they are right. I also question the way her mental illness was portrayed -- or rather wasn't... -- in season 2. Powder in the AU showing no sign of illness (despite baby Powder in the main timeline already having some of that going on, pre-Vander death)... I mean, sure, she's got a support system etc in that world, and one can argue we don't spend enough time with AU Powder to necessarily see it, but combined with the Isha stuff it just kind of felt like a weird message.

Sevika

I love Sevika, one of my faves from s1. I was so excited she seemed to get a bigger role in act 1 and then in the first ep of act 2. And then she never spoke again. What the hell man... like damn... really?????!? Not a WORD in act 3? I'm sure this was some of the stuff they trimmed to get that finale down to 50 minutes but god that sucks, so much, in ways a wordless shot of her in the council chamber can't really resolve. Which leads me to

Piltover-Zaun

I have to admit I don't think the class politics in s1 are as good as they were reported to be, so I didn't have high hopes, but MAN is Piltover going "hey we need cannon fodder <3 thanks" not... a reasonable resolution... especially after an indeterminate time of Piltover being EVEN MORE oppressive with Caitlyn enforcing martial law. It was sooooooooo ridiculous. Also, lol @ the show acting like hextech is solely responsible for the suffering of the undercity. If only Vi, Jayce and Viktor weren't around we'd have a equitable utopia. Sure Jan.

Sky

One of the most offensively written female characters I've seen in recent media. A spectacular, zero-effort failure from the writers. What a horrible decision to write this poor girl, a Black woman no less, and give her absolutely no characterization outside of an unrequited crush on a gay white man. In season 1 I could forgive most of it because a show like Arcane needs redshirts and it's just unfortunate they made this particular redshirt a young Black woman. There are so many other complex and developed women in the show, I thought, they can afford to have some minor ones who aren't.

But oh my god season 2. The ghost hallucination which they never even clarify as being "really" Sky or just being the Hexcore or just being his own imagination of guilt because neither the show nor Viktor give enough of a fuck to explain fhglakhdglh. Even posthumously she barely has any dialogue except to reference off-screen conversations with Viktor we never see them have and then die again. "No you won't" ?????? It is ridiculous that they wrote this.

[newlabournewromantics]

okay so i'm not british (i'm just a teenage girl hungry for knowledge 😔✊) but i watched one video and as a result i've been consuming an insane amount of new labour media for the past week even though i've never been interested in uk politics besides keeping up with global news LMAO i genuinely wanna know more so where do you think i should start with books films etc 😭

hiii!! excellent question id be more than happy to help! this will be sort of an overview with general recs for newlab beginners (why am I treating this like its a profession omg) so just lmk if you want more specific recs + I've highlighted my favs

books (from the outside)

(by from the outside I mean written by people not directly involved in newlab, so historians/journalists etc)

the two classic newlab texts are servants of the people and the end of the party, both by andrew rawnsley from the observer. provide nice, extensive but not overly fussy histories of newlab from opposition to 2010. good balance of gossip and actual information!

my personal favourite is rivals by james naughtie (bbc reporter), I find the prose in it far more compelling than any other book on this list.

brown's britain (robert peston) is also very good!

you've mentioned that you're not from the UK, so I really really really would recommend reading a book/a few articles on the broader history of the British Labour Party, just so you can understand why newlab was so revolutionary. I quite like keeping the red flag flying

autobiographies/diaries/books from ppl directly involved:

(these will inevitably be more biased)

the new machiavelli by jonathan powell is my absolute favourite self-written newlab book - and you might learn some stuff ant machiavelli whilst ur at it so this is an essential imo

my life our times by gordon brown is another one I really enjoyed, although it's less gossipy than some of the other books on this list. admittedly I do agree with basically everything gordon brown has ever said so this is a very biased review, but I would give it a go!

obviously alastair campbell wrote a load of diaries. I would be careful with which volumes you choose to get - go for the ones published 2010 and onwards bc he made the choice to omit stuff from the first few volumes he published so that it wouldn't' hurt gordon's premiership. also, they're really long and really extensive, so pick which volumes you want to read based on which specific period of newlab you find yourself drawn to!

as a comms/polling fan (boo) I really liked unfinished revolution by philip gould, but this might not be the best book to start with.

damian mcbride's power trip (more diaries) is also interesting

big fan of point of departure by robin cook asw!

I found tony's books excruciating to read but that's bc im crazy and think I know the inside of his mind like its my own so they might be good for you. his new book is FASCINATING but only in the sense of it exposing how big his messiah complex is. don't read any of his books if you're not down to hear about sex and/or technology.

oh a note: mandelson has written books but I don't like him so im not going to recommend them <3

tv/film

tony and gordon aren't really all that into big heartfelt chats about newlab, esp not together, but a few good docs have been made

blair and brown: the new labour revolution (bbc, 2021) - this is a classic, it's where I got my newlab start as a tender sixteen year old politics student u can't beat it! watch this one first

the blair years (bbc 2007)

out of the shadows and we are the treasury (here and here)

blair's thousand days (1 2)

if you're into tbgb, please please please watch the deal. I don't like much of the michael sheen as blair content, but the deal (2003) is so good.

if you want me to rec bits of tv from the newlab years that I think r cool and worth watching then send another ask and ill tell u! but obv theyre not much use if you're just getting into newlab :)

alastair did interviews with tony and ed miliband 6/7 years ago. not all about newlab, but very interesting to watch and observe the dynamics!

podcasts

matt forde of the political party has done interviews with a lot of newlab figures, from tony all the way to the more junior spads. I especially like the joint one he did with ed balls and alastair campbell, and the first tony one. these r less good for actually learning facts about newlab but really like listening to them as a way to sort of get into these ppls heads and observe them in a more casual setting. also a gordon interview asw !

if you can bear listening to george osborne talk (I can but others r more sensible) then political currency is also a good place to get lil tidbits of newlab gossip, bc ed balls is one of the hosts and he's super messy he loves chatting abt gordon.

ideology/boring stuff etc!

ok u can ignore this section if you want but these r some books about the ideology that underpinned newlab - I think it's fascinating!

the third way by giddens (literally the newlab bible and I think the only theory that blair took seriously)

crosland’s the future of socialism!! influenced gb and caused so much internal labour drama so evidently its excellent

if you want a really interesting essay on Iraq I recommend this

podcast on centrism that touches a lot on clinton/newlab/blair etc

oh and just for fun!!!!! here's a playlist of all the songs written canonically actually irl about tony blair.

lmk if you want any other recs!!!!!

[stoopid-turtle]

On the Acceptance of Unsteady Ground

Throughout this whole dive into turtle world, I've been very conscious of just how LITTLE access to information I have. I'm relying so heavily on English translations and platforms, and most of these are from turtles, so I'm fully aware I'm getting a biased perspective.

I've tried to read stuff from solos or even just neutral third-parties. The neutral parties don't have much depth of information, though, and I found solos heavy on accusations and declarations but light on actual...evidence. And they sometimes use some really nasty rhetoric against the idea that gg and dd might be gay.

Don't get me wrong, turtles get weird too. There's plenty of clearly false rumors, deceptively edited videos, silly stretches of logic, weird ideas of what how people in a relationship would act, etc. But there's at least enough English-speaking turtles that I can find some who are giving open and, as far as I can tell, accurate information (honestly, I find tumblr turtledom better at that then other platforms). I haven't really found a similar pocket of solo fans.

I'm also aware that there's always going to be a limit on how much I can know. I don't speak the language, so I'm always relying on translators. I have limited access to Weibo (even putting aside the language barrier, I'm in text confirmation limbo in actually getting an account), and I have little familiarity with the culture. I don't get a lot of the jokes or references, and stuff may strike me, an English-speaking American, differently than it would someone in China.

Add on top of that the fact that I'm trying to find out purposely obscured information about two celebrities, and, yeah, I'm fully aware that I'm on unsteady ground here. I can do my best, but I'm never going to know anything for certain.

But I've become okay with that.

It took a while. The dissatisfaction with the unknown (and unknowable) is what drove a lot of my early fixation and subsequent fall into the turtle pit. But now, especially after laying out my thoughts, I've reached a zen place with it. I'm 100% certain ggdd were together during filming/promo, and I'm 95% certain they're still together (I had this at 85% originally, but then the whole dd being sick and gg changing his schedule thing happened and I'm just...welp, guess I'm in this confidence interval, then).

Just having that certainty means I can enjoy updates from them without anguishing about "proof" or uncertainty. Oh, gg took the day off on dd's birthday? That's really sweet! I'm not gonna fuss about if it's coincidence ENOUGH to convince me, because I'm already convinced. It's a good place to be.

I typically don't care about celebrities. In fact, I've long been bewildered by celebrity culture here in the US, and I've often been actively annoyed when people assume/expect me to have opinions on things celebrities do. I'm the nerd who doesn't get why the actors get all the attention when the writer or director would be much more interesting.

So the fact that I've gone all fangirlish over two celebrities is bizarre to me, and I appreciate the irony. Well done, me. I attribute some of it to just being able to watch the bts and see their early interactions play out like a story. I find stories compelling, and both gg and dd are charismatic, attractive and have great chemistry. Whatever disdain I have for celebs, I do love a romance.

In my foray into the ggdd world, though, I've also had to learn more about c-ent, and y'all. It's nuts. Like, US entertainment is nuts too, but c-ent ratchets it up to 11. I've been in fandom a long time, and I thought I'd seen some weird stuff, but it's got nothing on c-ent. Just wrapping my head around the culture these guys are in took a lot of learning.

But I appreciate being able to dive into this culture and this country, because I knew very little about China beyond the antagonistic politics. It's been refreshing to get a view on life on the ground in China to humanize the folks there and get a clearer picture of the country.

I started this thing bc I had been spending so much time on Youtube watching clips, and I had thoughts and opinions and nowhere to put them. I already had a tumblr that I use to lurk on some fandoms and I had started following turtles too. I figured tumblr would be a decent place to splurge out my thoughts, so I set up a throwaway account to do so.

I get the vibe that a lot of new turtles come to bjyx through the same route I took? They watch The Untamed on Netflix. They get curious about the show and start watching some clips on YT. Next thing you know, they have 3 playlists full of purported "proof of love" and they need a whiteboard to connect everything together and their wife thinks they've gone completely bonkers supports them in all their oddities.

Like, I was really confused by turtles at first. I was just trying to watch bts videos on YouTube and I didn't know what bjyx meant, but the videos with the label were weird and had strange disclaimers that they were "only for turtles" and I had no clue what that even meant.

My confusion continued as I tried to read more. The fake story disclaimer convention is hella confusing as an outsider, and my first impression was that turtles were kinda crazy. The videos I saw gave overviews of candies without context, and some of them explicitly said they were proof of Yizhan love while still having that fake story disclaimer. Basically, it was a big confusing environment, and it's why I resisted buying into bjyx so hard for so long. It all seemed delulu.

But in reading more, I guess part of that is the point? Recognizing that gg and dd are in a vulnerable position should their relationship ever come out, having so much noise to muddy the waters makes a twisted, clownish sense. I don't know who came up with that convention or if it just kinda happened (is it a normal thing in c-ent? I don't know enough about celebrity fandoms), but hats off, I guess.

With the supertopic recently hitting 4 million active fans, there's something heartening about such a depth of support for the guys. I'm not naive enough to think all 4 million (plus international fans) are allies to LGBT folk in general, but it surely means something to ggdd to have that sort of support for their relationship. Honestly, it means something to me, as a random gay chick on the other side of the world, to see a gay couple get that kinda of support behind them.

I started watching the bts because I was afraid there'd be a lot of cynical homophobia on the set or some evidence of all the male cast being icked out by the whole thing. Instead, I got gg, who was so passionate about WWX being gay. I love that everybody knew they were telling a love story with as explicitly as they could get away with. I love that the guys wanted more Wangxian scenes and that the cast and crew made "everyday is everyday" jokes in a non-mocking way. I'm glad that the whole shoot seemed like such a positive environment for the cast and crew to being themselves and tell a type of story that they may not be able to be involved with ever again.

So, yes, this is my zen turtle place. When I set up a soapbox for myself, I didn't think too much about the fact that people would respond, but I'm so grateful to have had a chance to talk to some other turtles! Everybody is lovely and thank you for sharing my enthusiasm.

Like I said in the beginning, I don't have the time to keep super-active in the long-term. I had intended to write up my thoughts and poof away. But I do also plan to keep up with gg and dd and turtles, so instead I'm just gonna leave off with the potential for further posts down the line.

I'm not gonna be incredibly active, so please don't expect frequent updates or interactions from me. But if I have more Yizhan thoughts I'll pop up again with a post (I mean, I do have lots more thoughts, but nothing energizing enough to write about), or I'll leave a comment somewhere if I have something I simply must say. I'm also open to responding to asks about the timeline or anything else. And if I ever do stumble across anything groundbreaking with regards to the timeline, I'll probably add that in, because I'm particular about things being complete.

So thanks for being so welcoming! It's been a joy to clown around and make up completely fictional stories with everybody here. 🤡🐢🙇🏼

[i-read-that-manga-for-you]

Given

Admittedly, I read this manga a long time ago. Like when chapters were still coming out. I was still in high school at the time (holy fuck) and couldn't really articulate my feelings as well as I can now.

I had left this review (bits and pieces of it) on a manga site and decided I might as well put it on my tumblr, finetuning it, of course. First post, because in spite of its flaws, Given is still close to my heart. And I reread it again (somewhat) to make this a better review. I hope each person who reads this will reimburse me with 50 cents each (jk don't). So here it is. My impression of Given, with !!some!! talk about how SA is treated in BL/Yaoi culture in general.

Or not, this is just my two cents with no anthropology degree.

Do take what I say with a grain of salt, a piece of creative media does not exist in a vacuum, but this review treats it as one at times because I'm not really skilled enough to talk about any wider implications. I'm just some guy giving my review.

Spoilers ahead. Go ahead.

TW: Sexual Assault.

Honestly, this manga made me feel a lot. Good and bad feelings. But let's focus on what I liked.

Ugetsu.

He's on the phone, shhh.

I found Ugetsu to be a very compelling character, and it was a huge shame that he vanished partway through the manga. Basically? I have no criticisms about him as a character, he has his flaws and he's nuanced. He's interesting and compelling, and it's clear that he's someone who is still growing and learning to walk on his own two feet. I won't deny that his relationship with Akihiko was very toxic, but I definitely think this isn't something that can be blamed solely on him.

But with this out of the way. Let's talk about the pairings.

Let's talk about Akiharu.

Kizu Natsuki is an amazing artist... Even when I have certain issues with this manga.

Well. I have a lot of qualms with Akiharu.

For starters, Akihiko assaulted Haruki. I'll never forget that. The fact that they ended up getting together anyway was a huge point of contention for me. Given was framed as a story about love more than a traditional story about BL/yaoi which (sorry) usually leans towards the sex. (This is not to say that sex and romance are separated, well they are but they are linked rather than being one in the same. You can have either, like they're hot/cold water but they come from the same faucet.)

But I feel that having this scene in rather than an argument feels completely wrong. I'm someone who will digest pretty much anything the world throws at me, but the Akiharu assault scene came off wrong and it came off scary. (Note: I say scary but I definitely mean much more than that, I just feel like "shouldn't be romanticized" doesn't encapsulate all of it. This topic is not something I'm qualified to talk about, so I don't want to overstep any boundaries.)

And to be honest, that's good because SA shouldn't be romanticised, for that, a big well done to our author. I just wish the aftermath was dealt with better.

This is terrifying. Please retract your words.

In spite of the SA scene being scary, afterwards all seemed to be resolved the moment it was revealed that Akihiko had nowhere else to go.

Everything for them goes uphill from here. Yay.

I just have to wonder what was the point of that buildup if you were just going to allow things to end nicely like that. With a scene like that, you'd think that the manga was saying that "SA is scary, it's terrifying and it's something that you shouldn't forget even if it's BL/Yaoi." But, why did it end up like this.

What I'm trying to say is: What does it matter that Akihiko apologised (twice), he still assaulted Haruki, he assaulted a friend. Even worse is the way that they're framed as a healthy couple afterwards, this just made me all the more uncomfortable. I feel like this is saying "SA is scary" but also saying "the power of love and friendship absolves everything". I've seen some people talk about the fact that SA happened, but haven't seen them say how it was "resolved". I think it's more to do with yaoi/BL fiction culture, that we've grown to accept SA that is unaddressed in our media to the point that Akihiko's apology is like a prayer more than something that's not even worth a second glance.

Saying that Akiharu started off rocky is an understatement, but if I pretend it never happened, I can say for sure that they are much healthier than Akigetsu, and they deserve each other. It's just not good storytelling especially because I don't really understand the motivations of Haruki liking Akihiko.

I once said that Haruki's character arc was based on Akihiko and that was my bad. I was wrong. Haruki, in fact, has a minor character arc, that isn't really to do with Akihiko, about how he feels insecure surrounded by geniuses in the band and this gets resolved by Akihiko saying that they wouldn't be able to function if all of them were geniuses, and Haruki himself seeing Akihiko hard at work. But I had completely forgotten about this arc, my bad, but my point still stands. Haruki deserved a better character arc.

I don't have a smart comment for this unfortunately. Eat your veggies??

In spite of saying this, I'm not an Akiharu hater, I swear. But I just found that ship much less compelling than Akigetsu in general. Akigetsu was a relationship where they were both incredibly toxic towards each other, there was an imbalance in the fact that Ugetsu literally owned the place they were living in, as well as how he'd kick Akihiko out whenever things were rocky. However, I think the end of their relationship was dealt well on both sides, their toxicity towards each other was framed in a negative light as it should have been. They ended the relationship and went their separate ways, this was the best ending for them. For Akiharu and Akigetsu: The difference between these two relationships is that one was dealt well and the other was dealt wrong. Akiharu deserve each other and Ugetsu deserves to learn how to grow by himself.

Anyway, another point of contention was, in spite of the healthy nature of Akiharu. Somehow, the friendship between the two couples seems to have waned and it was pretty disappointing to see. I think it started before this, but the first time it was obvious to me was this scene.

I know you're in the middle of something, but don't be mean to Mafuyu >:(.

Context: This is Chapter 40. Akiharu are in a moment of intimacy and Uenoyama is knocking at their door trying to get advice.

We've seen that Mafuyu is a very reserved person, to see that Akihiko was so ready to tell Mafuyu to stop coming over (even if it is to stop him from coming over so suddely) right to his face was extremely immature.

Basically, imagine if that had been Mafuyu. Personally, I feel like Mafuyu would have been hurt like hell and closed right back up. This scene is something played for laughs and that's something so disappointing. Given is shown to be a band of friends, but in the end it seemed more like two couples who hang out sometimes. Also the fact that both Akihiko and Haruki are pushing Uenoyama to get Mafuyu to rejoin the band. That's something else that bothers me heavily. That they're treating Mafuyu as Uenoyama's responsibility because they're dating. It's a band that is sure to fall apart if you are not making an effort to support each other equally. I mean, it doesn't have to be entirely equal but points for effort and they get no points here. It's funny because they were at least a little self-aware of this prior.

Dating in a band is something that is nuanced, of course. But it sure is funny to see them practically go down the same route they condemned.

That's my criticism of Akiharu.

So, what about the other instance of SA? I'm talking about Shizusumi and Hiiragi, of course.

Let's talk about Shizuragi.

Here they are! Let's talk about them!

Admittedly the first time around, I wasn't particularly into Shizuragi, I was too busy mourning the absense of Ugetsu. But it was during their sex scene where I realised something was very wrong. I was having flashbacks to the Akiharu assault chapter but this time it was played as "love" rather than something reprehensible. Once again, assault was in the manga and it, once again, resolved with badly.

I feel like sexual assault being played off as "love" and being resolved literally the next chapter with the victim being all kosher with it, should be garnering people's "??? what the fuck"s and not to bat for the opposing team for once but where are the complaints. I've actually seen some people talking about this chapter, but I would have expected more.

Hiiragi said he was scared and was crying, but they still fucked anyway. :D <- smile of shock.

Um what. Haha... ha........ :D <- terrifed smile of shock.

I don't know whether it would have been worse that he knew he was assaulting Hiiragi or whether he didn't know at all. But he knew.

Shizusumi confessed his love the morning after and it was all okay. But, to be honest, the fact that it was played off as being "all okay" makes this even worse. It's normal in yaoi/BL for SA to be played off as love, but you'd think that the last place you'd see this is in Given of all places. SA is SA and the fact that Hiiragi was so accepting of what happened to him afterwards says something about this the culture of BL/yaoi and how we just go along with it says something about this sentiment of how "yaoi is always going to be yaoi".

We're done? We're done.

There are no more SA scenes (that I can remember). But I do want to touch on Mafuyu and Uenoyama as briefly as possible (This is a recount of my experience after all). So, Mafuyama.

Ah, yes. The start of everything.

Admittedly, I didn't actually find their relationship super compelling. This is because I tend to get tunnel vision on characters I like (in this case, I heavily tunnel visioned on Ugetsu). I do like them both, they just didn't fit within my vision. I thought they were sweet but I also see a lot of complaints about how Mafuyu was stuck on Yuki and Uenoyama was getting backseated and I do agree with this. Kind of.

I think Mafuyu's story is about growth as a person, it's like what people say: You don't move on or lose your grief, you grow around it. Grief doesn't get smaller, you just get bigger. The person he loved died and I don't think it's fair to say that he has to get over Yuki. Grief is something that sticks with you everywhere, something you have to carry every day. They're still teenagers, they're still young and still have room to grow.

But as a story? Sheesh, instead of Haruki having no place in their circle. I felt like Uenoyama, even when he's the protagonist, wasn't given his spotlight in his own story. There is no character arc for him, there is nothing for him and that's just not fair. There are two people in a relationship, so why does it always feel like, narratively, Uenoyama always comes as an afterthought?

You could have had a character arc about this... Relationships are meant to be balanced, sweetie...

I just think it's a shame, but they're nowhere near as unhealthy as the other couples in Given, so I'm giving them a gold star.

(Minor irk, I do not remember when this happened but why the hell does Yayoi (Uenoyama's sister) get a character arc (where she comes to an understanding about Mafuyama feelings for each other, but also the gay in general) but the man himself doesn't?)

So, with Mafuyama, I feel like the story could have focused a little more on Uenoyama's side. But I feel like it's similar to how Haruki's story kind of got the backseat to Akigetsu drama happenings at the time. Shrug, we can't have it all.

He's beautiful...

That's honestly... all my thoughts. Wow! That was a lot of them. I think there's a lot to be said about how yaoi treats SA and dub-con in general, even in a manga that's not even focused on the sex.

With that said, I don't think BL shouldn't have SA or dubious scenes but the aftermath should be dealt with better afterwards. I think with Given, it's a start that the SA (at least with Akiharu) wasn't romanticised, but the aftermath was just poorly executed.

But I'm not the yaoi police, I hold no authority and I don't support purity culture. I'm not an anti-anything and I also believe that fiction should be fiction. What people enjoy should no way equate to a person's worldview. But, this was just all my perspective and my opinion. I said it and now I'm done. Haha... Anyway, my paypal is—

[doctor-badadvice]

This man has not updated his wardrobe since 1947

There's already a few posts discussing outfits and symbolism and while I found them very interesting, I'm a person of strong opinions now writing two characters with chess related names. So here's my two cents (or should I say, nickels) about Bishop's appearance throughout the 2003 show and what tells us about the specific moment of his life that's being portrayed. The focus will be mainly on the palette, but also on whatever influences are behind the designs.

So let's get started!

1815 — Battle of New Orleans

Here's the first disclaimer. I know next to nothing about US history past what little school required me to learn and generically speaking, I've never been interested in the nuances of how people come together to kill each other. History classes were far more interesting to me when we talked about society and culture. So take what I'll say with a grain of salt. My military expertise here is a couple Wikipedia pages.

As far as Bishop's uniform goes, I have no idea what's going on. I read that uniforms were supposedly mainly blue with whatever color corresponded to what the unit's duty was, with the exception of musicians who had their colors swapped. If that's true, Bishop here could have been a musician having a not so great day at work. But the field medics later in the flashback are wearing the same color so it's probably just a choice to keep the color palette consistent.

Other than that, the belt would suggest he had some kind of rank. Though I don't think they were trying to be accurate past the bare minimum. I'm not going to guess what Bishop was up to in his mortal days.

Also, a special mention goes to Bishop's facial hair. He must have been popular in his time.

1870 — Creation of EPF

This is where colors start being relevant but first, another disclaimer. I appreciate the work wiki editors do, but it would be nice to have sources to whatever's stated on a given page, especially if you're providing estimated dates. I can't say I disagree, but it'd be nice to know where the information comes from.

So the wiki says that Bishop was supposedly born in 1776. It means that at the time of EPF's foundation he was nearing his hundredth birthday. No wonder he's dressing in all black. The average life expectancy at the time was about 40 years old. It's very possible Bishop had already outlived most, if not everyone he knew and it's probably something one would struggle to come to terms with.

Design wise, turtlenecks were nothing new at the time. Medieval knights wore garments in a similar shape under their armors well before the 15th century. And yes, I guess that's more of a coat than the average tactical turtleneck, but it still gives him a hitman, or even hunter vibe which is more or less what he was up to at the time.

1947 Roswell. New Mexico/present times

I can finally explain the title now. But first, let’s take a step back!

Bishop’s default outfit is the secret agent outfit™ we’re all well accustomed to. Specifically, I think the closest he takes inspiration from is Agent Smith from the Matrix movies (as I previously mentioned here). Guy in a black suit with shades, apparently impeccable self control and a distinctive way of talking that compels you to listen to him.

There’s so much to say about motivations and themes these two share, but let's focus on the aesthetic side.

These two fools are men in black. Yes, like the movies. The whole trope originates from some old conspiracy theories about the US government hiding aliens. These theories date all the way back to 1947 from some guy named Harold Dahl claiming a man in a dark suit told him not to tell anyone about some UFO sightings. Various fellow ufologists made similar claims over the years, making it a staple of their general paranoia.

Because of the second flashback, it’s possible that Bishop himself was one of these men in black, if not the one the rumors started from. It's a funny thought and I feel like Bishop would also find it amusing to watch people lose their minds about his fashion choices for decades.

Color wise, white has been added to the mix. It’s been a while now since the creation of EPF and Bishop has found some kind of balance in his life. He’s still dead set in his hatred for aliens and clearly enjoys inflicting pain on creatures he sees as undeserving of basic human decency, but he now has some purpose other than looking at the sky for something to shoot down. He leads an elite task force with men and funding devoted to developing a proper defense of the planet. He’s a foe not to be underestimated and a formidable fighter who can and will take on multiple opponents. But he’s also a very scared man who doesn’t wish what happened to him on anyone.

I often praise the show because Bishop can survive getting impaled but he still remains human. He will react with sheer violence to aggression and reform his ways when shown kindness. He will happily stick his hands in turtle soup for some DNA, but also be the best man at his friend's wedding and even attempt dressing up for the occasion despite having been deprived of normal human interactions for more than a century.

(I know it's a little cluttered in this point but I can't just leave out Casual Friday Bishop)

Design wise, I like just how an otherwise elegant attire works during the fight scenes and this detail specifically.

This man’s power is stored in the leggy.

Interlude

So this pic above is me right now.

For context, I usually consider the episodes of the staged alien invasion to the outbreak as part of the same arc. The entire situation is absolutely absurd from Bishop dragging the president into his fanfiction in response to budget cuts, to Baxter's bodily misadventures, to Bishop making a deal with a random ghost over the phone while New York is turning into yet another Umbrella Corp mishap.

But anyways we're here to judge this man's fashion taste and we have two outfits to talk about.

First off, a special mention goes to the catsuit and this pose specifically.

The sass is off the charts.

Though I find this one kind of depressing. There isn't a lot to read in it either other than Baxter grabbing the most generic tactical turtleneck for the sake of keeping Bishop from walking around bare chested (and the scene before this pic clearly shows Bishop isn't afraid to show some titty). But seeing him in all black right after moving to a new body kinda points out that Agent Bishop, leader of the EPF, is kinda on par with a piece of military equipment (and the president probably sees him as much to an extent). He's the mold for an army of supersoldiers for crying out loud.

But he switches back to the usual suit afterwards and what matters here is the supersuit.

S3 onward

Imagine being an alien, member of the starfleet of your planet and senior officer of the invading force tasked with taking over Earth. You have trained hard, wargamed the whole operation a bunch of times and concluded that it will be piss easy to conquer this underdeveloped planet.

You reach the surface, get into formation and then this nerd rolls up.

The best way to describe this suit is "hostile". It's hostile to the animators and to whoever has to stare at this eyesore before Bishop shoots at them.

And I love it. There's nothing quite like a black and red suit of armor with various cybernetics and lights to say that you mean business. It goes very well with how the stakes just start steadily rising from this point of the show onwards and seeing as the suit was ready during the staged invasion, we know that Bishop never really planned to retire after unleashing his army of clones.

It adds that extra bit of cyberpunk that I like to see and it shows that Bishop never truly gives up on anything since we have actually seen this design before.

Bishop was so proud of his Slayer he just stuck with him in spirit.

Couple that with a new coat to take off for extra dramatic effect and— maybe the president was right about not trusting him with unlimited budget.

2105 — New York apparently

Another century has passed and Bishop is still alive and kicking. Well, he doesn't kick as much anymore as it would be unbecoming if the beloved president of the Pan-Galactic Alliance were to go around kicking alien butt.

Jokes aside, you can disagree with Bishop's portrayal in Fast Forward, but they were still trying to do something meaningful with him. The idea of the turtles having to work with him when they were trying to kill each other just the other day is surprisingly deep for a season that felt the need to have the most unfunny robobutler ever.

They were clearly attempting a chess joke switching the palette to white with black streaks. Bishop has completely turned his life around and it even shows in the way he presents himself. It's nice to see just how much he managed to accomplish as well, even though it would have been very interesting to see him have a gradual change of mind, rather than selling us the concept through timeskip magic.

Does the design still hold up then?

Well, Bishop is clearly making an effort to look the least intimidating. He is fairly more patient when others don't immediately do as he says, even asking for help rather than blackmailing, and is still commendably dedicated to his job. He still asserts dominance by showing leggy (seriously, Mr President, that slit doesn't have to go this hard) and he's still deep down, at all times, ready to throw hands.

That's Bishop alright and it's no coincidence that he starts running around shooting aliens the second Baxter shows up in his life again. I'm not much of a fan of his new armor though. I think they were going for a futuristic design but it's the blandest they could think of. It reminds me of Obi-Wan Kenobi's armor in The Clone Wars but it just kinda comes out of nowhere. It would have been cooler if his tunic turned into a set of armor kinda like what the turtles got.

In any case, if you really want to see reformed Bishop really shine, you should check out @adenthemage / @violetvulpini 's art. You will not be disappointed.

[bonesandpoemsandflowers]

hey!!!!! i found this account recently and your info dumps and rants about poto are so based!!!! (coming from a high school student who loves gothic literature too).

what do you think about phantom of the opera attempting to defy tropes and cliches of the romantic era? considering that when gaston leroux wrote it when the era was coming to an end i’d like to think he said fuck it. and crafted poto to be a mockery of those romantic stereotypes ESPECIALLY with christine’s complexity and many facets …. what do you think? could be a really interesting thing to explore!! i am getting wayyy too deep

Lord, I'm not sure if I should be pleased or concerned that a high school student is describing my opinions as based at my age, but thanks. I had a high school PotO phase (naturally) and I've often reflected on how annoyed I would be if I had to face the current Discourse(tm) at that age. And also imo (naturally) there is no "too deep."

I do think that there's a lot to the idea that PotO is very much of its time. That is--it's so definitely post Romantic.

I wrote this in two separate sessions so I probably repeat myself, but:

have an essay, anon!

I don't think it's a mockery of the tropes as much as it is putting a bunch of the tropes in a blender. At the end of an era you have all these very familiar tropes to work with, so you can get weird about it. The audience already basically knows what to expect, so they're on familiar ground. Then you can fuck with them a little to make it your own.

It's like anything else going through phases: you get some critically claimed zombie shit (Romero's work or the walking dead first season) and then as time goes on people iterate and stunt on the genre so you get increasingly weird premises (what if zombies but mushrooms?) (what if zombie but stalker?) of varying degrees of seriousness and quality.

I'm not familiar enough with Gaston Leroux's other work, but I've read at least two scholarly pieces claiming that Erik is not just a mash up of established characters, but of mash up of Gaston's Leroux's own characters from other novels, specifically. So that's why some of his skillsets make no sense paired together: it's just a bunch of guys in there, wearing a trench coat full evening dress. And as a writer, I totally get this urge. "This guy was cool in this book, why not put him in this other book? Also he has an entirely new profession now. He went to trade school in the meantime or some shit."

Christine, though! This is trickier for me and shows my hand. I don't think I can as confidentially and easily toss off opinions about female characters in the Romantic and post Romantic eras. I'm going to reason through this as we go along. I have no idea what my conclusion is going to be because I have to check some dates first. I will give you my personal final answer for why Christine is as she is at the end, regardless.

So on one hand you have Frankenstein's Elizabeth in 1818, who, as far as I know, nobody is writing think pieces about. She's there, she's pretty and soft and good. She inspires Victor to think nice boy thoughts. Unless you know that first draft Victor was more explicitly modeled on Percy Shelley, you'd never know that first draft Elizabeth was based on Mary Shelley, because Elizabeth is almost a non-entity, while Mary Shelley was cool as fuck. Elizabeth is mostly there to be fridged--which I'm not necessarily against, because death and the maiden and blah blah blah and pretty dead girls is a horror genre motif specifically because people find it so tragic and moving. But also, like. Nobody's out here going, wow! Elizabeth! What a compelling female character! and if I did hear anybody say that, I would press x to doubt. Frankenstein is one of my favorite works of literature and I couldn't even remember Elizabeth's name for a solid three minutes.

But then, in 1847, you have Jane Eyre. And I don't know about you, anon, but I love Jane Eyre, and I love Jane. I was absolutely sitting there in AP Lit going "omg I'm such a Jane" and lusting over middle aged men. I think it's funny and great that it's taught in schools for that reason--Jane is basically your age when you read it! She's so relatable! She's whip smart and she's proud and she's struggling! What teenage girl isn't full of anguish and pride and internal screaming! People do write think pieces about Jane, as they should. And then, in 1897, you have Dracula. Which means you have Mina. And is anyone on earth arguing that Mina ISN'T great? She is also pure and good and blah blah--all the examples on this list are good girls and we'll get to that in a second--but she is, like Jane, very smart. She's using the cutting edge technology of her time! She's brave and clever and willing to fight against fucking Dracula. Mina rules. When I first read your ask, my first instinct here was to be dismissive of the idea that Christine is the result of rebellion against her era, because I specifically thought: well she's basically a Mina, isn't she? So not innovative at all. BUT. I think my first instinct was wrong, actually. Or at least: taking a lot for granted. Looking at the dates for the gothic classics I rattled off the top of my head--there's a progression there, isn't there? They're all Good Girls but the good girl gets smarter and more competent as time goes on. And Mina is cool but still part of the ensemble. Christine often gets co-billing with Erik or she's outright considered the main character. She gets a much bigger piece of the story pie.

And I think Christine is more emotionally nuanced than anyone else on this list. She's deftly navigating class differences (calling Raoul on his shit) (Mina never does that I recall--Jane does but that is central to her circumstances) and she's well aware of Erik's horror (you know, his everything) but book Christine is more emotionally savvy than most modern day readers in that she understands that Erik is to a great degree a product of his environment. I hate that people these days view Erik as a bad boyfriend metaphor. He's not. He is, as the book tells us over and over, a monster. And also…very human. And the way those things collide and what that means is the point of the book, and maybe the ending is too tidy but that the book has a happy ending is imo almost solely Christine's doing. Sure, the dagora and Raoul are doing stuff. But they might as well be mice in a fairy tale giving the dispossessed princess (and main character) advice on how to sort wheat in the moonlight or whatever. The person directly confronting the monster is Christine. And the person that grants him grace and thereby humanizes him…is Christine. Only Christine has this alchemical power in the novel. The dagora's been humanizing Erik for DECADES of in story time and apparently this hasn't accomplished shit. Furthermore, Christine's power here isn't something that Erik grants her because she doesn't humanize him with the Power of Music or whatever. It's her parsing things out and making choices. Christine's empathy is not a gift that Erik gives her; she has it from the start.

But it's a little tricky, right. It's too tidy. I'm letting it be tidy for now but as you know--I assume if you've been floating through my poorly tagged rants--I view PotO pretty exclusively through a monsterfucking lens and Christine might be the hero, but we, the audience, are supposed to identify with Erik and all that is monstrous in ourselves.

(have a tag mini essay about it here.)

but whatever! that's not the question!

The question being, as I understand it: is Christine's characterization in particular a reaction against the artistic context of Leroux's time?

and…yes and no?

Like if we look through our cherry-picked examples, there is a CLEAR progression in female character work. But these are stand outs and not necessarily representative. They are classics for a reason. And I suspect we can't forget genre here. Enduring gothic horror is pretty much always transgressive in some way. So a progression that we can track in THIS genre doesn't necessarily mean society or art on the whole was on the same track, let alone at the same pace. I would defer to the kind of weirdo that has more expertise than me here--the kind of person who deliberately reads forgotten or unclaimed period literature. Someone who really gets the artistic context of the time, not just the classics.

How much of that is Gaston Leroux on purpose, though, right? That’s more of what you mean, I think, and that’s what I should be answering. If I rephrase it to: do I think Christine is written that way on purpose? ABSOLUTELY, yes.

HOWEVER

I have a much simpler reason I think Gaston Leroux wrote a great female protag in 1909. And that is: Gaston Leroux fucks. As in, very literally went through a messy lady's man, spend his inheritance in brothels phase.

You might think I mean that in a bad way, but no. The right kind of personality doing this is someone who meets to and talks to a bunch of women. And if it's a man who happens to view women as people--and also views sex workers as human--a dude can come out of this phase really well rounded. Or: not every guy who goes to the strip club is a loser or a misogynist.

You are too young to remember this, anon, but [crone voice] time was, people thought Joss Whedon was a feminist writer. I got myself kicked out of TWO different feminist clubs in undergrad because everybody loved Buffy the Vampire Slayer and I was an asshole who said "Buffy the Vampire Slayer is shit." Or rather, it's fine, it's fun, but I don't view it as a feminist work and to me, Whedon was so obviously always a creep and none of his female characters ever resonated. (in all fairness to both undergrad clubs: I was an asshole. And I was very young, and I was frustrated by not having the language for what I meant yet. But my issues with Whedon could fill many other posts.)

There is a type of male writer that I describe as: this man has never talked to a woman in his goddamn life.

And that's not literally true; it's impossible for it to be literally true.

But I think it is basically true in that you have men who never talk to women unless they're trying to fuck them and even then only ever talk to them as vending machines they expect to spit out a fuck token if they hit the right word count. And it shows in their work! it shows! people are always surprised when a Louis CK type ends up with sexual misconduct accusations. people seem to think only Chads are predators. no! no no no no. The Neil Gaiman shit coming out recently, do you know who was surprised? NOT ME.

Which isn't to say you can't trust nerds ever. Nor am I saying that every man who blows his hereditament on hookers and blow is gonna be the kind of guy who actually has conversations with women.

What am I saying here? I am saying that I think Gaston Leroux was probably a pretty cool dude. He wrote Erik incredibly sexy despite literally everything and he wrote Christine brave and resourceful and willing to talk back to her pretty boy nobility love interest. That dude hung out with women. I am SURE of it. I do not think anyone could write a character as enduring as Erik, as bizarrely romantically and sexually appealing as Erik, without understanding what (some) women want, what (some) women like.

but here's something you didn't ask about--I called all these female characters good girls, right? And interestingly, arguably, both Mina and Christine have bad girl counterparts. Or Lucy isn't exactly a bad girl--until she's a vampire--but her three proposals a day are presented in contrast to Mina's already settled engagement. And Christine's story opens with Sorelli!

(I fucking love Sorelli)

Sorelli, who is Phillipe's mistress and carries a knife everywhere! GOD I LOVE HER. where was I.

anyway, good girls.

The ingénue.

I read The Phantom of the Opera for the first time when I was nine years old. I had to use my mom's paperback merriam webster dictionary to look up the word ingénue. I don't remember what I read but I remember very distinctly thinking: ah. not me, then.

which is an INSANE thought to have as a 9 year old!

but 9 year old me was right. by that point my family had lived in not one but several war zones and we had specifically been on a cartel hit list. I had seen people jump off a suicide bridge by our apartment.

The adults in my life, possibly because they were stressed out from living in a war zone, were all deeply committed to fucked up behaviors so that young me lived in a particularly gory telenovela. I knew what bombs sounded like and what gunshots sounded like and what bodies in the street looked like.

I had a shit and deeply weird childhood for reasons beyond all that, too, but the point is that I'm always arguing about this story with people from a certain kind of comfortable background that I just don't have. Didn't have, even at the time. I do not remember childhood as an idyllic time, as Bill Watterson once said.

so if you read PotO and you're not Christine

and you're not Raoul, because Raoul is a good girl except he's a boy and also rich and actual nobility, so therefore even less relatable

then who are you?

if you're weird and haunted and already feel different and other than your peers (and your peers can tell that there is, in fact, something wrong with you) (even if it's not your fault) and you read this book, who are you?

You're Erik. as stupid as that might sound. Even if you are, say, cute and small and nine years old.

and then, once I was older, once I re-read it and watched the 2005 movie and generally rediscovered the story post puberty, then I was like: oh my god he's HOT he's been hot this WHOLE TIME.

my initial reaction, even as a child, was sympathy and empathy and it is fuckin wild to me, my dude, that people keep reading this story in this day and age and they instantly align themselves against Erik because Erik is so immediately other. He immediately becomes a cipher for things they find monstrous. I genuinely feel there is some Jungian shadow shit happening here but it also makes me feel terribly cynical and un-ingénue all over again that people think Erik is about male entitlement or toxic relationships. It's always ERIK: SYMBOL OF BAD BOYFRIEND. and like, honestly? honestly? drives me fucking insane for reasons beyond the obvious, too. HOW COMFORTABLE ARE YOU IF YOUR ONLY CONTEXT FOR MONSTER IS TOXIC ROMANTIC RELATIONSHIP?

not that, say, DV won't fucking kill you. but that's not even what most of the anti Erik crowd means. my point is merely that there are many more types of trauma, and many more types of monsters.

[also yeah planning to blow up an opera house is straight up evil, though. no excuses for mass murder events.]

But back to Erik—not that you even asked about Erik—I truly believe that there is a huge chunk of the audience with the media literacy of tin can of beans. I was haunting the PotO subreddit for a while and the takes are rancid. I really think a certain kind of reader—usually a woman—reads that Erik is ugly and Raoul is pretty and rich and noble, and that is somehow all they get from the work.

And that Erik—who is ugly—might feel normal human drives like lust or the desire to be loved is disgusting to these people. And they act like it. "This is a story about male entitlement!" No. It’s a story about human yearning. That some people react to yearning from an imperfect source with such visceral disgust is, you know, the entire point of the fucking book.

I preach to the choir, of course. It is on purpose. I am tired of arguing, of the expectation of being pious and apologetic before enjoying the work.

I logged out of reddit mostly to stop going to r/Box5. “And look how much healthier and hotter you’ve gotten in the past few months!” a friend said to me recently, which is a) kind of cringe and pathetic but also b) objectively true.

have you experienced love never dies yet so we can talk about how it's bad? no? SAVE YOURSELF, CHILD. RUN! RUN AWAY NOW BEFORE IT CATCHES YOU.

(LND is bad but compelling all the same. it's a disease.)

anyway, hope some of that is enlightening, thank you for stopping by and saying hi, and enjoy your future phantom adventures.

[heaventree13]

How Jikook Found Me

Hi anyone who happens upon this!

**I'm going to preface this with the information that I don't know how to link stuff, embed etc, so hopefully my attempts to do so will work!!**

I've been thinking of doing a "how I discovered jikook" post forever, because I love coming across other's similar stories, and was inspired this morning by @jiminieloved post below:

We discovered jikook at pretty much exactly the same time, if in slightly different ways.

I first joined instagram around October 2019, after only being on facebook prior to that (I had started a twitter account at some point, but had never used it), and somehow the algorithm decided I would be interested in Larry Stylinson. I don't know why. I knew who One Direction were, but didn't really listen to them. I didn't know what a "ship" was, except for "Bennifer" and "Brangelina", and that's not even really the same thing, is it? Anyhoo- it turned out I was a bit of a Larry. They were adorable and what I saw was compelling at the time.

Then, of course, the algorithm started throwing in some other ships for my consideration, and along came the vmin ship videos.

I had no idea who they were at first. I had heard of BTS, vaguely recalled seeing them on some entertainment news program once, but (much to my chagrin, as I could have been listening to them earlier), hadn't paid attention. I'm embarrassed and a little ashamed to say I just remember they all had different coloured hair, were so impossibly pretty, and thought they were likely just a fad.

Don't hate me!! I would fight to the death for all 7 of them now!!!

But I digress! So, I thought vmin were so sweet. Nothing necessarily romantic there to my eyes, but I had an open mind about it, and I had never seen that kind of affection between males. I ate it up. I'm a 50 year old female (46 at the time), and from Canada, and this was so outside my personal experience. I adopted them into my heart. I watched everything I could find on instagram.

And then some stray jikook content started sliding in.

And I got worried. What about my vmin babies? Was my mischievous little V ( I didn't know him as Tae Tae yet) going to get his heart hurt? Of course, I was seeing stuff that had already happened years before in most cases, but all very new and "real time" to my heart, that was slowly turning a vivid purple without my knowledge 💜. But what I was seeing in jikook was quickly becoming undeniable in my eyes.

And I was blown away. My heart remembered what it was like to believe the stories I read and watched in romantic books and movies when I was young. I had decided that was all just the stuff of fiction, and that maybe I was a fool to have believed in it. But no- these two young Korean men were putting Mr. Darcy and Miss Elizabeth to shame! In real life!! I had to slide over to YouTube. I had to start searching stuff like "the way Jungkook looks at Jimin":

And I was able to reconcile vmin and jikook for what I believe it is- no animosity, no competition (at least romantically) because it's two different kinds of love, both just as real. Not that I don't see moments in the content where I think our Tae Tae felt left out, but our babies (all seven of them) had all lived together and done everything together for so long, I think their relationships are not like anything most of us will ever experience or be able to fit into any tidy relationship categories. They are so much more than that.

Somewhere in my searches I found this excellent 3-part commentary by @mimiandkookie4607 :

And this then this favourite by @themooniswaitingforus (who also makes some really beautiful song edits ,btw) :

Then I started wanting to watch original content, so I joined WeVerse and VLive. And then of course, as will happen, I fell in love with all 7 of our amazing, hard working, passionate, talented, brave, fun, impressive young men. I will love and support them until they are old men (or at least much older, as I won't be around as long as I fervently hope they will).

There is more, of course. So much more, but I've run out of steam for today! I do want to say that I joined tumblr because of jikook, as well. I first discovered @dalloga through the Korean Perspective video (they haven't been active for a little bit, but it's worth it to go read their blog, for those who haven't), and then @stormblessed95, and went further down the proverbial rabbit hole from there.

Thank you for reading. Stay positive. Be kind. Seek out happy!

[missielynne]

CBS Ghosts Review: Isaac's Wedding

I specifically remember telling a Nonnie that I didn't think the stripper would be a big problem but turns out he wasn't NOTHING (at least in the context of Nisaac.) I love how they made him absolutely everything Isaac could want in a man INCLUDING hating Hamilton and having no sense of smell (which is why I was really rooting for him to die and become a ghost because it would have been just perfect for Isaac.)

I know Nisaac was the big point of the episode and the main gay rep for the show but I really like that Isaac was showing interest in someone else too so they didn't go through with the wedding. Was the timing perfect? No. But ever since the Christmas episode when Nigel slept with Jenkins based off like a one day estrangement and constantly let the man lurk in the background without being firm about where they were, I've soured on Nisaac at least where Nigel is concerned, so the thought that someone could be so perfect for Isaac as he is made me so happy (plus I like the idea of Isaac being willing to explore the dating pool instead of just marrying the first guy who wants to because he's afraid he'll never find anyone else.) He deserves better than that, and both he and Nigel deserve better development so they have a deeper, richer story, which is why I'm glad the writers took the chance and didn't go through with the wedding, even though it would have been good for representation. They built up a reason in the story why there shouldn't be a wedding so it wasn't just for shock value, allowing both our men to grow as people.

Now...the same cannot be said for our would-be throple: it took all of two seconds for them to put Thor and Flower back together again and I am not happy about it because the way they're writing it just allows the romance (which is written in a way that doesn't fit either Flower or Thor's characters at all and consumes them at the expense of the family and friendship connections that make both lovable and enjoyable to watch.) I can only hope that now that they've said "I love you" and seem to be on stable relationship ground, they'll start to make them more compelling.

My favorite part of the episode was definitely Pete on the island. I definitely felt the happiest I've ever felt watching him on this show so far. Donna was absolutely perfect for him: they were from around the same time, they found one another attractive, she found his goofy way of flirting ("My wife is terrible, I'm single") sweet and endearing and really got into his water-rafting role play without treating it like something silly or him like some sort of a dork and that's the kind of relationship he deserves. I was literally so sad when he started to disappear and the only way to fix it was to go back to a place where he isn't as appreciated as he should be and has to do all the work to make things peaceful and happy.

His speech at the wedding was so nice and so real, and I love that it was what made Isaac realize that there was more out there for him. No one thinks anything he says is that sort of meaningful, so that was nice...even if it did ruin things for Isaac and Nigel, but at least Nigel seems to have taken it well. (And I'm glad that even though it's weird, Baxter has Carol. He's been a third wheel in the shed for too long.)

And then we get to Patience: I love hearing Flower talking about her and how she was built up. (Also Thor and Nancy's "Just smile and nod" as she talked.) The first time I watched the episode, I didn't see the figure of Patience with her face obscured by her bonnet so that was creepy the second time around. And when she finally kidnapped Isaac, aided by the basement ghosts, that was the creepiest "God bless you" before he was grabbed that I've ever heard, but I loved Nancy's "let's not tell anyone about this: it's not a good look for us."

It's good payback for the ways Isaac's choices have affected other people and I can't wait to see what happens to him next!

Well, that's it, folks! The last review of CBS Ghosts season 3. It had highs and lows but there are definitely several eps that I will add to my rewatch list as we wait for a full season four (which I will also review when it premieres this fall.)

Cheers and happy Ghosts watching, everyone! :)

[unbidden-yidden-deactivated20240]

Personal question you don’t have to answer: I saw in the tags of that now-paganism post you talked about not believing in other gods but you do believe in other supernatural beings such as sheydim, and then you talked about a “Her” reaching out to you and Her not being who you originally thought.

Were you reached out to by a sheyd?

Nope!

When I originally (and reluctantly) began to dip my toes back into theism, I was very much a pagan and so my initial thought/understanding after some research was Hestia. And honestly? I was very fine with that, because Hestia has a lot more of an interesting mythology than you might think at first blush.

Initially the thing I was "asked" (nudged? idk) to do, was to cover my hair. I brushed that off for a couple years until it became extremely obvious that this was what I was being spiritually called to do. At that point I started searching out reasons and who that might be coming from, which led me to Hestia. So I began to do research to find a good reason why this was a bad idea, and eventually (if skeptically) concluded that it was entirely harmless and up to me if I wanted to connect. So I thought what the hell, why not. I covered my hair and looked up more information and had a little altar and left small hearth offerings for about two years. In that time though, unfortunately there was no real movement, no progress, no additional contact, nothing. During that time, I began to get increasingly more interested in Judaism - academically, of course - and had a much harder time focusing on any pagan path. Instead, I found myself powerfully and inexplicably drawn to Judaism despite my denial and all protestations to the contrary.

To cut a long saga short, after a couple years of radio silence, I realized I must have been wrong about the identity of the source of that nudge, and it was only once I learned about the Shechinah being feminine that it all made sense. The feminine energy I was reading was not coming from a goddess per se, but rather the one and only G-d who is effectively every gender and no gender, but whose earthly presence is typically understood in feminine terms.

And you know what? Guess around what time it was that I started feeling the pull to cover my hair? It was shortly after I became officially engaged to my now-spouse and we were living together in what was in practice (if not by law) a marriage.

When I finally admitted where I was at with things and reached out to Hashem, I experienced an immediate and powerful connection that drastically outstripped any spiritual experience I'd had before. I could only conclude from that experience that Hashem was real like nothing else I'd ever tried to build a connection with, and I felt compelled to connect as deeply with Her as was possible. My path was laid out for me.

As for the sheydim or other possible non-human beings... look I wouldn't say I for sure *believe* in them so much as I don't feel like I have enough information to rule it out. The Talmud and mystical rabbinic writings treat them as being very real, and I'm inclined not to assume that I'm smarter or wiser than all of the Tannaim, Amoraim, Sages, and great rabbis who did believe in them. However, I've never directly experienced them myself. Other gods I don't have a problem ruling out, at least insofar as it matters to me. If they exist, they aren't my problem. I respect other people's connections to the Divine as valid and real for them, in the same way I would like other people to respect and validate (for me) my connection to G-d, which is through the lens of Judaism. Essentially, I believe that G-d is G-d, that G-d wants a relationship with all people, and will speak to us in the "voice" that we are most likely to hear. For me that voice is the still small echo from Sinai. For you it might be something else. G-d is infinite and we each glimpse the smallest fraction of that divinity in our travels through life and spirituality.

[soupbabe]

Hiii, before I say anything else I love the new theme. I saw you were looking for requests so obviously I had to send one in. How about a reader (he/him) that brings them gifts all the time (a cool rock, a flower he picked while on a walk, candy he thought they would like, ect) with Louis Ives, Bo Sinclair, and anyone else you feel compelled to write

Male! Reader Bringing Various Characters Crow Gifts

Featuring: Louis Ives, Bo Sinclair, and Edward Nashton

Thank you!! I couldn't help myself and added Riddler, I missed writing for him! 😅

Tagging: @slaasherslut , @the-pinstriped-hood , @bugginbeetlew

Bo Sinclair

- I think Bo just didn't get it for the longest time

- He'll give his thanks and put them in his pocket, but that never stopped him from watching you from afar and going "what the hell is that boy doing"

- See's it as junk at first, but he starts coming around to it eventually

- Sure it's a rock but you beam everytime you give it to him

- Who's he to kill his man's happiness?

- Still thinks it's kind of weird, but he just accepts it

- Keeps all of his little treasures in a drawer

- He likes it when you bring him old, rusted tools and hardware. His whole demeanor brightens

- You give it to him and ask what it is, and now you're stuck sitting on the gas station counter to him explain to you the difference between a ratchet and a wrench

Edward Nashton

- Oh he's head over heels for the little gifts you give him!

- Takes everything in him not to squeal over it in all honesty

- Oh yeah. It's all going to the shrine made for you

- Oh no creepy incel guy is doing creepy incel things who would've thought/lh

- Expect Edward to return the same energy, but it's less "oh I found this thing that just reminds me of you" and more "oh I've tracked down every single one of your interests and sought out this specific item that I'm playing off as a coincidence"

- He's so red and the face and shy, it's easy to play off his uncomfortable demeanor as him being nervous

- One time you found a newspaper with an empty crossword and gave it to him and you swear you've never seen Edward smile that hard

- You two ended up solving it together, with Eddie feining ignorance so you could help him with the clues

- He'd play dumb for as long as he can, all of it meant spending extra time with you <33

Louis Ives

- She's a little confused, but she gets the memo quicker

- She flushes every time you bring her something, she's never met someone, let alone a man, who's so dedicated to giving her gifts

- SHE HAS A LIL BOOK FOR ALL OF THE FLOWERS YOU GIVE HER !!

- Louis presses them herself, writes the date of when you gave them to her, and what kind of flowers they are!!

- If you can't tell she's very sentimental

- Omg she'd gladly give you little gifts back !!

- They'd be books about different types of rocks, your favorite animal, or all the other interests you have!!

- If you give her candy that she likes she's going to be so bashful

- Fr how did she meet a man so thoughtful?? She's immediately going to deflect any attention on her by asking if you'd want some too, it's only right if she does

[olderthannetfic]

I genuinely liked the first two books of the Captive Prince trilogy, (but found the last one to be intolerable) and after reading all the different comments about it here, I'm wondering if it's Old School Yaoi for people who never got into Old School Yaoi. Like I can understand seeing certain tropes 100x and being sick of them, but I genuinely went into the book with no prior experience with the yaoi genre, and so it felt unique to me. In fact, I was actually comparing it mentally to books like Kushiel's Dart, because both feature an improbable, sex-centric world where sexual politics control in-world politics (a fantasy feature I simply accepted, the same way I accept that Discworld is flat). The sex also informs all character development, which isn't a common stylistic choice. I think for a lot of people, captive prince might be the first time they've ever encountered anything this hardcore in terms of m/m enemies-to-lovers. From that perspective, it's actually a pretty compelling read.

--

Well...

I mean, yes, the series is absolutely oldschool yaoi for people who never got into it, but what went wrong with book 3 is something else.

(FWIW, I think 'yaoi' is pretty appropriate here because that's what we were calling m/m anime fanfic in 2002, and that's what the series sounds like, but in the modern day, the marketing category is called 'BL' or 'boys love'.)

The actual change from books 1 and 2 to book 3, as far as I know, is that the first two were serialized on LJ and the third had to be gotten together in a hurry after the author got their publishing deal. (Or was part of 3 serialized but not all? There was definitely a difference of some sort between the first two and the third.)

I've seen speculation that parts of it were cribbed from the author's fic about a different ship than the one that inspired the series in the first place. (It didn't start as fic, but there was clearly some inspiration.) I also think the author is more interested in the ship than in the worldbuilding, and book 3 is where the arc plot politics and schemes are supposed to all come together. That's always hard anyway: before the end, the audience can assume things will go a way they like later, but the actual ending may not live up to their imagination.

But mostly, I think it was just written under different circumstances, and that often makes a work feel different.

[randomidiocyncrazies]

Hot take but I actually don't like Isami's "hot-blooded super robot protag" makeover in the finale. (Elaboration below)

For one, I think his character design is now way less charming because 'Hero Isami' kinda just slapped generic protagonist design traits together and called it a day (and i know this is just personal taste, so no shade to those who prefer his new look). Also, while I like the symbolic reason for him looking like a super robot protagonist when he decides to fight back against the remaining Death Drives/embrace the kind of narrative he's in, I'm not super enthused by how they've executed it? I don't feel like he's really embraced it so much as 'had to embrace it', like how he kinda had to go along with the rest of the story thus far. His new look is very much a 'super robot protag' look imo, but I personally think the transistion from him running away to embracing the 'super robot protag' label is a little superficial in terms of the character's emotional development.

We're told that Isami accepts Bravern, and we do see them get closer, but we don't actually get any meaningful depth about Isami's definition of heroism prior to Bravern—we understand Smith's idea and drive to be a hero, we understand Lulu's motivations, but we don't really get that for Isami. The finale gave us "I never wanted to be a hero" to contrast with Smith's "I've always wanted to be a hero", but we don't really get why Isami wasn't interested, nor what he thought a hero was before Bravern. I know they wanted to set up a situation where Isami is inspired to become a hero because of Bravern, but the slightly ham-fisted way they say Isami trusts Bravern/is inspired by him etc didn't feel very compelling to me because they focused on Smith's character in the first 8 episodes and Isami's character didn't get that exploration.

For the impact of Isami finally embracing being a 'super robot hero' in the finale, we should see a change in either his understanding of heroism itself, or his understanding of himself in relation to the concept of heroism. I mean, i guess his talk with Smith kinda touches on it, but without exploration of how he was before Bravern re: heroism, the impact of him choosing to embody the typical 'super robot hero' approach (shown by literally changing his character design to fit the vibe) falls a bit flat for me.

And like! The idea that Isami needed to actively embrace the super robot story he found himself in to get his happy ending is a really neat one! He's been steamrolled into it for pretty much the entire show, so him seizing control over his story is inspiring—and I think a little more clarity on what heroism means/meant to Isami would elevate the character writing. Right now he's kinda just this guy who gets bullied by the story, and tbh the change between his despair + begging for his life to taking up the hero mantle willingly in the finale feels kinda like he's reacting in whatever way the plot needed him to. In general there were times where I felt Isami's reactions seemed abrupt for what was established between him and other chracters; it's not a huge deal, but it did stick out to me.

(As much as I loved the the love confession scene in ep 11, I was confused at Isami's emotional intimacy with Bravern; not because I don't ship it, but because Isami seemed quite bothered by Bravern's overeagerness before this point. They grew closer after ep 9, but the intimacy at the beach wasn't convincing on Isami's side for me because there was barely build-up. In general, Isami's acceptance/buy-in to Bravern's definition of heroism was mostly glossed over imo.)

Don't get me wrong, it's still a very fun show! I enjoyed the wild homoerotic ride and most of the humor (LOVED the little meta jokes), and the story's themes are really compelling in theory. Bang Brave and unleash your courage in a stylish explosion! I just wish they gave us a little more time to sit in Isami's head.

[funforahermit]

It's funny how being a fan of Rhys Darby has led me to become a fan of a lot of his friends as well. That's never happened to me before, with any of my other crushes, and I don't really know what's different this time?? Maybe it means that I just really have a thing for kiwis, who knows 'xD But let's see -

There's Jonno Roberts of course, absolute comedic GENIUS, pipes like you wouldn't believe, actor par excellence, and sexy as fuck. His on screen chemistry with Rhys is off the charts, even better than Rhys and Taika imo (controversial opinion alert 'xD), but I find that I also enjoy watching Jonno on his own. And the little bit I know of his personal life is endearing as heck, not least because he's a firm trans ally.

David Farrier, irresistable mixture between fearless journalist and complete mess! Dark Tourist, Tickled, Mister Organ - those are all deeply fascinating documentaries, and I can never decide if I want him to tell me more about the deepest darkest secrets of humanity or if I want him to get the hell out of there and stay away from danger for god's sake 'xD Lately I've been going through his podcast Flightless Bird, and just... everything he talks about is really interesting and compelling. And yes, the accent helps, I admit that. Also, bonus points for being a fellow bisexual 🤟

Jemaine Clement!!! God he's hot. Like is it just me or is he just..... SO hot. Like damn. I'm sure I could also talk at length about his talent, but I am kind of distracted. Fuck.

Bret McKenzie: I adore his solo album Songs Without Jokes, I listened to it so many times when it came out, and now all the songs are part of my permanent playlist. I love them to bits.

The last two together, obviously, are the best duo ever and I can't get enough of their songs or their comedy.

Steve Wrigley! Now I'm not gonna lie, I'm not the biggest fan of his stand-up and for the longest time I couldn't understand why Rhys would insist on touring with him and make him his opening act all the time. But I get it now. I've grown to love him for the amazing friend that he is, and for looking after Rhys so perfectly - even if some of his jokes make me go a bit :/ (The Ohakune airport story is hilarious though!)

Dan Schreiber - NOT a kiwi! 'xD Amazing brain, amazing way with words, amazing spirit of adventure, amazing sense of humour. One of these days I'm gonna listen to all his other podcasts (beside the Cryptid Factor I mean), just haven't found the time yet.

I feel like this is an uncomplete list, but I gotta go and do some real life stuff now.. Just wanted to say that I love them!! And I've got Rhys to thank for knowing them at all.

[threewaysdivided]

Hey ! i'm a longtime follower of your blog and I've read a lot of your YJ analysis and why the latter seasons totally flopped. I haven't seen you comment on Young Justice Phantoms, although I guess your opinion remains the same. However I'd love to read it one day.

PS : I do think Greg Weisman is a decent writer, but not that good at characterization and desperatly needs editors and not enablers *sigh*

Hey nonnie!

Glad you’ve found my YJ writing critiques interesting. 

The reason why I haven’t commented on Young Justice: Phantoms (or the final Targets comic) is that I haven’t watched it, haven’t read a synopsis and have no plans to ever do so.  My interest in the series went pretty cold as far back as Invasion but at the time I was willing to give the showrunners good faith on their claims that they had a plan to bring things together and that the problems were mostly production issues.  However, after how bad Outsiders was (and having seen similar awfulness from Greg Weisman in other franchises) I don’t have any good faith or trust left to give them.

I talked at length about how Outsiders left the show with no compelling narrative as part of this big Invasion breakdown (grumpier TL:DR version here), but here are the most relevant sections:

In terms of the Central Conflict, the Light are proved utterly correct: by Outsiders the Original Team are callous, hollow husks of their former selves, who have replicated a worse version of the same status quo the Team originally formed in response to. Dick, Kaldur and M’gann’s Anti-Light are a new upper echelon of older heroes who keep even more secrets from the next generations, who exclude the new generations far more strongly from knowing their plans, who give them even less reason to trust or communicate with them, and who do so for less just, less honest and less narratively justified reasons than their own mentors’ understandable (if condescending) desire to shield the proteges from the parts of the Life they may not yet have been equipped to face. Not only that but their constant lying with the intent to control others, and refusal to hold themselves accountable for those actions goes directly against both the League’s stated heroic ideals of “Truth, Liberty and Justice” and Red Tornado’s conclusion that caring is “the human thing to do”. By the end of Outsiders, even the existence of the Team itself is undone; decommissioned into the exact kind of safe training space that the Season 1 characters were desperate for it never to be. […] With Outsiders, any actual narrative set by Young Justice Season 1 is over. By their own standards the Team have lost, and lost entirely.

The meta-narrative of Young Justice Animated is that of a show that started with a promising initial season and strong sense of narrative identity, only to discard every part of that identity.  With Invasion the show discarded its original characterisations, themes and ideologies; replacing them with contradictory and often antithetical ones.  Outsiders would then shed even the surface trappings of its aesthetic (in favour of the more generic “modern DC” art-style) and mission-based narrative structure.  There is nothing left, save for some superficial proper nouns and call-back references: the textbook definition of an In Name Only Sequel.

I didn’t bother with Phantoms (and am frankly a little artistically insulted by its existence) because I knew it was doomed from the start to be a narrative stillbirth.  Having actively abandoned its original identity, Young Justice was left desperately scrambling to forge a new one, by clawing at the one thing it had left: people’s nostalgic attachment to the Season 1 iterations of the cast.  But this could never work because every season since has been engaged in a performative pretense of not acknowledging the character-breaking contradictions and hypocrisies forced upon the original cast by the poor writing decisions.  Phantoms would have to thread an impossible needle: wanting to be about the “journey” of the original cast for nostalgia reasons, while not being able to acknowledge that the last two seasons (and attaché comics) have resulted in all of them either actively failing or being tragically soft-locked out of their explicit character arcs without breaking that kayfabe of performative ignorance.  And, in trying to tell a story without engaging with that story's content or how broken it had become, what would they have left but to fall back yet again on canonical filler, sidequests and references held loosely together by contrivance? 

It could only ever be a zombie-fic of itself: having long-since concluded or abandoned any remaining character or plot threads, driven forward solely by the stream-of-consciousness compulsive-writing of a production team desperate to remain present, relevant and profitable.  And from the feedback I’ve heard from the general community and fandom friends who kept watching, it seems like Phantoms did indeed pull down the curtain on that empty, directionless, hollow-automaton-filled narrative for a lot of people.

As for Greg Weisman himself, while I agree that he is a particularly poor character-writer, I will respectfully but firmly disagree that he’s otherwise decent.  I think the fact that we have to caveat “he’s a decent writer” with the condition “so long as he’s surrounded by a team of strong editors and directors to keep him from being awful” kind of reveals that he isn’t.   I also don’t really accept the premise that the main fault lies with the people around him for not stopping that.  They certainly haven’t helped but he’s a grown adult who can make his own decisions. Enablers don’t generally induce behaviours; they simply amplify or become complicit in the behaviours that are already there.

In the video Plagiarism and You(tube), Hbomberguy did a great job of laying out the difference between “honest mistakes” – which can be easily cleared up by good-faith apologies and explanations – and “dishonest behaviour” – where the person(s) is aware that what they are doing is not appropriate and falls back on reputation-protecting deflections and “non-apologies” to avoid consequences when caught.  Weisman would not so-frequently disrespect his colleagues’ work with contradictions, or write patterns of misogyny, queerphobia, casual racism/ableism and abuse apologism into his stories if he did not fundamentally feel entitled to do so, was not comfortable and in agreement with those beliefs, or did not think he could get away with it.  And the way he has routinely responded to even gentle, good-faith comments by fans expressing frustration/confusion with inconsistent characterisation/structure indicates someone who knows he has done the wrong thing but resents being questioned or held accountable.  And then we see him continuing the same behaviours.  A “decent writer” should not need an editor to hold their hand and explain why directly contracting explicitly-stated characterisation is bad practice.  A “good ally” should not need someone to tell them that disproportionately subjecting queer/non-white characters to shock-value violence, writing minority characters to be dirty/dangerous/less valid in their identities, erasing/demonising/misgendering AFAB trans and bisexual identities, rewriting strong female characters to need motherhood or men to “tell them who they are”, writing gay men to be secretly misogynistic/racist, and framing victims as being equally responsible for their abuse is offensive.  All of which he has either directly done or tacitly allowed under his lead.  Multiple times.  Across multiple series.

These are not isolated incidents of “good-faith mistakes” from a newcomer learning the ropes (if they were, it wouldn’t bother me like this).  Weisman has had multiple seasons - multiple franchises even - and decades to show himself to be the kind of sincere ally and visionary artist of integrity that myself and his fans wanted him to be… and that he has so benefited from presenting himself as.  He has chosen not to. Say what you want about their stories, but you can’t claim that marginalised creators like ND Stevenson, Rebecca Sugar, Dana Terrace and allies like Neil Gaiman didn’t push back hard against their own publishers and make a lot of careful compromises in order to tell those stories in a way they felt was respectful. Weisman is in a very privileged position, with a resume that carries a decent amount of clout. He could have held himself to the creative standards he publicly expresses; could have worked improve his craft, could have examined his own biases and actually learned from the communities his stories speak about/over.  But he didn’t – because obviously it's easier and more comfortable to keep being lazy, keep relying on his colleagues to carry him, to not question his own biases/privileges and then lie when caught.  And with the money he makes, and all the second chances and new jobs he keeps getting handed, what incentive does he have to change that behaviour? 

So, personally I don’t buy his attempts to position himself as an UwU Nice Guy Ally whose haters are taking him out of context and whose nasty publishers keep forcing him to do incoherent bigotry.  He’s a grown-up, who can own his own behaviour.  And, even with a generous reading, this is at best the behaviour of a fair-weather sell-out who is willing to abandon his principles at the slightest hint of pressure from above.  That is not what respect looks like.  I wanted to give him good faith, but in light of all this, I find I can no longer trust him to keep his word or be honest about his intentions.

This is kind of the other reason why I choose not to support or engage with YJ Phantoms (or the revival in general): on top of being utterly disinterested, I just don’t want to incentivise this kind of creative behaviour with more money or attention.  I also can’t ignore what could be a pattern where Weisman makes grand promises that he likely never has a plan or intent to fulfill, then deliberately leaves holes/timeskips/inconsistencies in his narratives in order to generate ongoing demand for separate-purchase side content which promises to “fill those gaps”… but which never does because there isn’t actually a plan to facilitate that (thus creating an endless cycle of demand and profit).  To me that cuts a little too close to the potential for a privileged creator to be exploiting their clout and the good-faith belief of their fanbase in order to grift those fans out of their time and money.  I don’t find that acceptable.

So, yeah.  Not to deploy the GIF again but:

It'll be a big, fat doughnut on YJ Phantoms content from me 🍩. Sorry!